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EAN : 9791041999798 · Données disponibles
EAN 9791041999798
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Culturea Parution : 26-04-2024 52 pages
image_key: 979/10/41/9791041999798_12fd0c32e17fff65
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Who's the Dupe?
Hannah Cowley
Dernière mise à jour : 26/03/2026
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Éditeur
Culturea
Collection
Série
Numéro de série
Format
Présentation
Parution
26-04-2024
Pages
52
Poids
99
Largeur
Hauteur
Épaisseur
Classification
Littérature générale > Romans
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Image key
979/10/41/9791041999798_12fd0c32e17fff65
What happens when deception becomes the game of the day? In the vibrant world of 18th-century London, a city bustling with social intrigue and theatrical flair, Hannah Cowley's "Who's the Dupe?" unfolds as a comedic exploration of mistaken identities and the follies of human nature. Set against the backdrop of a society obsessed with appearances and social standing, this play delves into the lives of characters entangled in a web of their own making. The narrative centers around the charming and cunning Mr. Gradus, who, in his quest for love and status, finds himself caught in a series of humorous misunderstandings. As the plot thickens, the audience is treated to a delightful mix of wit and satire, revealing the absurdities of societal norms and the lengths to which individuals will go to maintain their facades. The themes of this comedic play are timeless, touching on the universal human experiences of love, change, and the desire for acceptance. Cowley's sharp dialogue and keen observations offer a mirror to the audience, reflecting the often ridiculous nature of social pretensions. Through clever twists and turns, the play invites readers to question the authenticity of their own interactions and the roles they play in their daily lives. By weaving together elements of humor and social commentary, "Who's the Dupe?" provides a lens through which we can better understand the complexities of human relationships and the societal pressures that shape them. This work not only entertains but also encourages introspection, prompting readers to consider the true nature of identity and the masks we wear.
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